Street Prophets

Coffee Hour: Under - Appreciated  Artists

Mon Jul 12, 2010 at 02:11:24 PM PDT

Welcome to the Coffee Hour / Open Thread. For today's suggested topic lets consider little known, or unappreciated artists. I would share this artwork by Marcel Duchamp also known as Rrose Sélavy. (1887 - 1968) Today's Coffee Hour is brought to you by Dada.
-
 title=
Marcel Duchamp. Why Not Sneeze Rose Sélavy?. 1921/64. Readymade: 152 marble cubes in the form of sugar cubes with thermometer and cuttlefishbone in a birdcage. 12.4 x 22.2 x 16.2 cm. Private collection From Wikipedia.
-
This is an Coffee Hour / Open Thread and all topics of conversation are welcome. What is for dinner? How are you doing? What is on your mind. If you are new to Street Prophets please introduce yourself below in a comment. Would you like to share some unappreciated artwork or unknown artists with everyone today?
Rrose Sélavy, or Rose Sélavy, was one of the pseudonyms of artist Marcel Duchamp. The name, a pun, sounds like the French phrase "Eros, c'est la vie", which translates to English as "eros, that's life". It has also been read as "arroser la vie" ("to make a toast to life").

Rrose Sélavy from Wikipedia


-
 title=
-
Why Not Sneeze, Rose Sélavy?

Marcel Duchamp's concept of the "Readymade" suggested that an artist could select an ordinary object, present it as one's own, and declare it a work of art. His innovation was certainly among the most scandalous and significant transformations to the history of modern art. This work is what Duchamp called an "assisted Readymade," in which the original object is altered by the artist. Its meaning is one of the most elusive among his many puzzling creations. The title, inscribed on the bottom of the cage in black adhesive tape, poses its enigmatic question in English. It is posed to, or perhaps by, Rose Sélavy, the female alter ego Duchamp devised for himself (and a pun, in French, for "Eros is Life"). The painted metal birdage is "assisted" by the addition of marble "sugar" cubes that almost fill it, two small porcelain dishes, a mercury thermometer, and a cuttlebone. Its full delight only comes with use, as one is surprised by the weightiness of the marble, expecting the lightness of sugar. Ann Temkin, from Philadelphia Museum of Art: Handbook of the Collections  (1995), p. 317.

Philadelphia Museum of Art


Tags: Coffee Hour, Dada, Art (all tags)

Permalink | 35 comments

Permalink | 35 comments